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  • Democrats in coal-producing states will likely use every chance they get to separate themselves from President Obama in voters' minds. The EPA's new power plant rules are just such an opportunity. After all, Obama is about as unpopular in those states as coal is popular.
  • The attack at a park in the city's South Side last Thursday sparked outrage. Among those injured: a 3-year-old boy. He's recovering from a bullet wound to his head.
  • Two suicide bombers stuck a historic Christian church in the country's northwest on Sunday. Groups linked to the Taliban have claimed responsibility.
  • Although there are one-third fewer children working than there were in the year 2000, the problem continues. Many are employed in hazardous occupations involving dangerous machinery or harmful chemicals.
  • Host Michel Martin speaks to Mary Harper, author of Getting Somalia Wrong to learn more about al-Shabab, the group claiming responsibility for this weekend's mall attack in Kenya.
  • Almost all new mothers have trouble breast-feeding in the first week with their babies. The early problems, such as pain, were also the ones most likely to cause the women to give up on breast-feeding earlier than doctors recommend.
  • The already beleaguered, bankrupt city has gotten even more bad publicity from stories saying there are 50,000 homeless dogs roaming its streets. The first wave of reports from a dog census done over the weekend, though, signal there are far fewer. Still, loose dogs are a big problem in the city.
  • Hear two songs from the 21-year-old singer's debut album, In the Silence. It's the best-selling record in Icelandic music history, which is saying something.
  • No longer a solo act, the singer-songwriter and his band The Pariah Dogs released God Willin' and the Creek Don't Rise in 2010. In this archival recording, check out their old-school Americana on stage at WXPN in Philadelphia.
  • The pop star has a flair for the extravagant, to say the least, but his new album is stripped down. He tells Fresh Air's Terry Gross about the "Elton John excess," his fear of sex as a young man, and how Liberace's example encouraged John to make the piano a star instrument.
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