Ken Tucker
Ken Tucker reviews rock, country, hip-hop and pop music for Fresh Air. He is a cultural critic who has been the editor-at-large at Entertainment Weekly, and a film critic for New York Magazine. His work has won two National Magazine Awards and two ASCAP-Deems Taylor Awards. He has written book reviews for The New York Times Book Review and other publications.
Tucker is the author of Scarface Nation: The Ultimate Gangster Movie and Kissing Bill O'Reilly, Roasting Miss Piggy: 100 Things to Love and Hate About Television.
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Swift's new album, which chronicles 13 sleepless nights scattered throughout her life, includes a bracing amount of clear-headed thoughts about love and life as a pop star.
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McBryde mixes passionate music with novelistic details on a concept album about the inhabitants of a small rural town, named after the songwriter Dennis Linde.
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Reed died in 2013. A new collection, recorded in 1965, captures the earliest-known versions of some of the Velvet Underground's best known songs, including "Heroin" and "Pale Blue Eyes."
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Best known for novelty songs like "King of the Road," Miller was also a serious songwriter who wrote ballads for artists such as Ray Price. Miller's '70 album A Trip in the Country is newly available.
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The singer-songwriter is known for his intensely autobiographical writing. When Wainwright turned 75 recently, he decided to make an album about trying — and mostly failing — to age gracefully.
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The escapist aesthetic of Renaissance is its own kind of statement — Beyoncé's way of asserting the primacy of Black musical forms throughout American pop history.
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Born in the Philippines and raised in London, Beatrice Kristi Laus takes her stage name from a former Instagram handle. The music on beabadoobee's new album is a blend of timelessness and immediacy.
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As a Black artist in the indie-rock space, Strange makes distinctively original music. Where his debut album showcased a highly eclectic performer, his sophomore effort is even more impressive.
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The range of country music is on display in Kane Brown's hit single; a duet by Wynonna Judd and the alt-rocker Waxahatchee; and the title song of Big Time, indie singer-songwriter Angel Olsen's album.
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Though drenched in deep melancholy, Lamar's new album avoids superstar-level self-pity. Instead, the hip-hop artist summons up specific memories and works through his issues with uncommon grace.