Mar 07 Saturday
Music Director Guillaume Pirard leads the Orchestra in Boulangerie 1, exploring the influence of Nadia Boulanger. Featuring Copland’s Appalachian Spring and Mozart’s Horn Concerto performed by Principal Horn, Steven Harmon. Free Pre-concert Chat at 6:30 pm.
Apr 12 Sunday
CCO’s 2025-26 Chamber Series continues with Gershwin and Dvorak. Featuring works by Reena Esmail, Dvorak and Gershwin.
Apr 18 Saturday
La Traviata, composed by Giuseppe Verdi with a libretto by Francesco Maria Piave, is a tragic opera set in Paris and follows the story of Violetta Valéry, a celebrated courtesan. At a lavish party, she meets Alfredo Germont, a young man who has admired her from afar. Touched by his sincerity and love, Violetta abandons her glamorous lifestyle and retreats to the countryside with him. Their happiness is short-lived, however, when Alfredo’s father, Giorgio Germont, secretly visits Violetta and urges her to end the relationship to preserve the family’s honor and secure his daughter’s future. Heartbroken, Violetta sacrifices her own happiness and leaves Alfredo without explaining the true reason.
Alfredo, unaware of his father’s intervention, is devastated by Violetta’s departure and publicly shames her at a party, only to later learn of her noble sacrifice. Stricken with remorse, he rushes to her side, but by then Violetta is gravely ill with tuberculosis. In a final reunion, the two lovers briefly rekindle their love, but it is too late—Violetta dies in Alfredo’s arms, a victim of society’s hypocrisy and moral rigidity.
The opera explores powerful themes such as the conflict between personal desire and social convention, the redemptive power of love, and the cruelty of sacrifice. Violetta’s journey from a figure of indulgence to one of profound emotional depth highlights issues of gender, class, and morality in 19th-century society. La Traviata remains one of the most moving portrayals of doomed love in the operatic canon, both for its emotional resonance and its searing social commentary.
May 10 Sunday
CCO’s 2025-26 Chamber Series concludes with Mendelssohn and Auerbach. Featuring works by Auerbach, Mendelssohn, and CCO’s Concertmaster, Christina Bouey.